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I’m imploring, pleading and asking that the police still pay attention and look for my son.” “I feel like since this body has been found, and as I said, it’s unidentified, I don’t truly believe it is my son,” Bolden Day said. Bolden Day says she doesn’t feel like she is getting the help she needs from local authorities. Local news reported the body was undergoing forensic testing to identify the remains.
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She said there isn’t a lot of substantive information beyond an unidentified body found near a river. No parent wants to have to make such a plea. She is pleading with law enforcement to continue the search.
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People reported Day’s car was found two days after he was reported missing.Ĭarmen Bolden Day, his mother, spoke with Newsy on Monday. Officially the investigation continues, but Day’s family wants to ensure the public doesn’t forget about him. So when Young Jeezy drew his set to a close with “Put On,” the remix of which features a particularly pugnacious verse from Jay-Z, it seemed like the show’s balance was about to be upended.News of Gabby Petito’s disappearance and subsequent murder has led to renewed discussions on the missing Black and other people of color who often go unnoticed. In the last month he has appeared, unannounced, with Nas and Kanye West. What’s more, now that Jay-Z is without a day gig (he left his job as Def Jam president at the end of last year), his surprise appearances have become familiar. When he appeared on a remix of “Go Crazy,” a single from Young Jeezy’s debut, it lent an imprimatur of legitimacy: If one of the genre’s most lyrical-minded rappers could embrace one of the least, then why shouldn’t everyone else? He also brought out guests: Fabolous, who was received rapturously when he emerged to perform “Breathe” Lil’ Kim, resembling Jocelyn Wildenstein more with each passing year, who seemed to leave the crowd puzzled and Maino, the Brooklyn rapper with the surprise hit “Hi Hater,” who couldn’t muster the wattage to be more than a mild distraction. Phelps “the Young Jeezy of the swim world.”) Repaying the favor, the rapper called Mr. (His motivational appeal isn’t limited to thugs Michael Phelps recently revealed he listened to Young Jeezy to get pumped up before swim meets.
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On the remix of Fabo’s “Geek’d Up” he didn’t bother to contain his own sly wit, and he began “Trap or Die,” from the mixtape of the same name, whispering a cappella and smiling appreciatively when the crowd rapped along.Īfter his blustery verse from the remix of Shawty Lo’s “Dey Know,” Young Jeezy paused for some inspirational words, giving his childhood address in Atlanta “the middle of the projects,” he said and remarking how far he had come. Even relative obscurities benefited from this treatment. Still, “Trap Star,” “Bottom of the Map,” “Go Crazy,” “Soul Survivor”: great first 90 seconds, all. He played up his most natural gift, muscle, often performing just the first verse and hook of a song, as if he were trying to satisfy a rowdy club crowd or just wanted to cut to the chase. Not all of Young Jeezy’s newfound nuance made it to the stage here, but it didn’t matter. The new album may not be as consistently thrilling as the first, but it’s more consistently interesting. His templates, topical (cocaine) and structural (simple, punctuated with exclamations), were once narrow, but he has matured. A return to the triumphalism of his 2005 debut, “Let’s Get It: Thug Motivation 101,” it’s lean, tough and coarse. “The Recession” (Def Jam), his third album, could theoretically satisfy supporters of both. After performing “My President” from “The Recession,” due out next week, Young Jeezy expanded on the theme, musing on his role models (or dream ticket?): “In my book it’s Tupac, then it’s Barack Obama.” “My President Is Black.” So read the slogan adorning the oversize T-shirts, also featuring a black-and-silver American flag, worn by most of Young Jeezy’s crew on Tuesday night at the Blender Theater at Gramercy.